it records Melbourne, Australia
Underground music out of Melbourne, Australia
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Black Lucifer Rising
by Controlled Death
supported by 7 fans who also own “Shoot to Kill”
I cannot praise this album enough. This album is absolutely terrifying! The many starts and stops creates this very h settling tension. Each start expands on the stopper idea previously. It’s like the music equivalent of walking through thick fog while passing out multiple times throughout trying to find a place to orientate yourself. There may or may not be something sinister in that fog, but you don’t want to stick around to find out. Bought the vinyl so I summon the fog demons through spe
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Of Bones and Death
by SUBKLINIK
supported by 6 fans who also own “Shoot to Kill”
destroyed my Chrysler's speakers via cassette this jam is jammin <3 mad respect
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Distress Signals I & II
by Controlled Bleeding
supported by 6 fans who also own “Shoot to Kill”
These Yankees sure know how to bust out a good "tune".
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Pull the Rope
by Ibibio Sound Machine
The ensemble infuse a club-thumping sound with massive vocal hooks and uplifting lyrics.
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Your Day Will Come
by Chanel Beads
Straddling the threshold between studio performance and digital technique; the NYC artist applies "fake jazz" principles to synthpop.
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Composer, producer, and Folly Group co-leader Laggard salutes early industrial and grime through a hard-hitting, club-focused side project.
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supported by 5 fans who also own “Shoot to Kill”
I saw Serration perform with HEALTH and Youth Code at the El Club in Detroit and I was blown away by the intensity. Very impressive. Heavy oppressive and brutal.
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